For most of this year I’ve been cycling around Gainesville and taking photos of murals. Downtown murals. Pleasant Street murals. Grove Street murals. Main Street murals. Murals, murals everywhere.
But up until now, I haven’t really taken on the Grandaddy of all GNV murals. The Wall. Where it all started. Where primitive scribblings met high art met political manifestos met frat boy symbolism met sheer nonsense met artistic anarchy.
And where the remembrance of the student murders is the only permanent presence. And that only because somebody comes and patiently restores it every time some thoughtless spray paint radical covers it up. Bless you for that.
So on Thanksgiving morning I stopped by The Wall. And the sheer artistic anarchy of it gave me pause. This is not your father’s wall.
And so naturally I thought about “The Wall.” How could I not?
Thus with apologies to Pink Floyd, here is the latest apparition of GNV’s ever changing, ever evolving Wall.
Right now it still has a decidedly Halloweenish flavor.
With just a smidgen of In-Your-Face insolence.
Or perhaps it’s just a manifestation of the sheer frustration of young people who are struggling to acquire (or to avoid) an education in this maddening Age Of Covid.
We are an education city after all. But you can tell the frustration is mounting. And the masks are coming off. At least on The Wall.
On the other hand, maybe it’s simply a youthful nostalgia for all of our favorite Saturday morning cartoon characters.
I am reminded of the “Kilroy Was Here” graffiti of World War II. With perhaps just a bit of, um, (blood)lust mixed in.
Which is not to say that our street artists are totally unaware of the supreme struggles that confront our nation post-Trump.
Walking The wall, which has been covered and recovered and recovered over and over ad infinitum, I thought: If these paint layers could talk, oh the stories they could tell.
But in the final analysis, you have to settle for the stories of the moment. Because tomorrow they will certainly be gone.
Listen, all the world is a canvas. Even the trash cans and the sidewalk in a pinch.
I keep thinking that a lot of this stuff is in code. And if only I could find the Rosetta Stone of graffiti interpretation all would become clear.
On the other hand, do I really want to know what this is all about?
Maybe artistic ignorance really is bliss.
Hey, I knew that if I walked The Wall long enough I would finally catch sight of my old girlfriend.
And her mom.
Welcome to Gainesville, pal! Nothing is as it seems.
Yes, at the end of it all, I did stomp on Trump. After all, he was on the sidewalk and not The Wall.